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UnpredictaBottle


This bottle is an example of just how fragile the elements of glazing can be. This bottle was glazed with two different glazes. The only place the glaze came out as I, Asa, suspected was on the top in that flare of red. The kiln will take what you have put in to it and change it as it sees fit through the flames. In the unpredictability that comes with glazing, your sense of control is taken away, but that’s okay. For some this thought is a nightmare. For someone who has worked with pottery for some time, the revelation occurs that in this lack of control, the unpredictable actions of the vessel related to the kiln can produce by far more beauty than you ever could have created if the two decided to go by Your plan. You can put in time, but ultimately you need to approach this with faith. Sometimes you won’t like what you see but other times you will. Enjoy this bottle and know that it is a product beyond me, for it could not be duplicated if anyone should ever try.

This bottle is listed on our etsy.  Click here to see the listing.

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Carving Tiny Clay Creations

After posting about my tiny pottery, I remembered how much I enjoyed making them and for the past few days have been working on these miniature vessels. I’ve carved a couple myself and left a few to Asa’s expert hands. My favorite so far is this mini flower vase that Asa is holding in the palm of his hand. Asa used one end of the wood tool in the picture to skillfully distort the shape  and then used the other end to press the small dots on it.
I made a normal sized bowl to rest the tiny pots inside and show you the relative scale. These little babies will sit to dry for a few days before heading to the heat of the bisque firing. Then I will likely glaze them in a variety of colors and they will undergo a second hotter firing. I’m excited to see how they turn out.

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A Worthy Vessel: Collaboration in Jade Celadon

This bottle is one of my favorite things that my husband and I have ever made together.  The glaze is a Jade celadon on a cone five stoneware.  I threw this vessel on the wheel and then attached the handle.  Then, when it was leather-hard, Asa carved it with wood-tools and transformed a simple form into this beauty.  Once bisqued, I brushed on three layers of the glaze and then it went through a second firing at over 2100 degrees Fahrenheit.

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When we visited his family in Santa Cruz, I came across a vessel unlike any of the work that I had seen at our studio.  I asked Asa why he didn’t do anything like it anymore.  He said that using wood-tools was a lot more demanding and time intensive.  This bottle took several hours of his diligent handy work in order to produce the design.  In the end, I believe this is some of Asa’s best work and worth the time he invested in it.